
The object is to take control of a number of surveillance cameras and direct them to the most boring scene imaginable. Extra points for black roads at night!
An excursion into certain areas of art, computers, philosophy, text, zombies, alchemy, metallurgy, music, food, creativity, pataphysics, politics, France where I worked as a cultural civil servant (yes, I do know that this is appalling), Berlin where I live and work for me, England where I come from, and so on... this may change.


1. The sadness of most art is that it does not know its future. The sadness of computer art is that it does not know its past.
2. Constraint is liberty; reduce to the maximum.
3. If it looks just like, you know, ‘art’…it probably isn't.
4. Using state-of-the-art technology merely produces state-of-the-technology art.
5. Those who use computers to make art need to understand art as well as computers.
6. Most participative art is deeply authoritarian.
7. The computer is best characterised not as an information processor but as a general-purpose representation processor.
8. Marshall McLuhan, at least as filtered through his sound-bites, was often wrong. The medium is not the message, which is more often determined socially and psychologically by the recipient.
9. If your system costs 10 000 € and mine 30 000 €, it does not follow that my art is thrice as good as yours.
10. In an ideal world, New Media institutions would employ at least one non-technological artist.
11. Are you pushing the frontiers of computational representation, or of contemporary art? Confusion rarely leads to success.
12. 99% of computer art is meretricious nonsense. But then 99% of everything is meretricious nonsense.
13. Self-imposed formal requirements are not inhibitive of expression.
14. Post Modernism has never said that everything is of equal value, just that the contexts in which we identify or attribute value should be open to analysis.
15. You know your amazing new computer art, rich in metaphors and analogies? It's been done. Years ago. Without a computer.
16. We lose dimensions and scale. The computer in art is immediate and almost always, however "global", local. Just as no well-found art school would be complete without computers, so every such institution should have a telescope and a microscope, connected to the computer or not.
17. Making computer art too dangerous to sponsor would be a good way to go.
18. Just as everyone has a novel inside them, many believe they have an artwork. The purpose of a good art school is to seek out these people and stop them.
19. Using a computer merely to access the web is like using a Bugatti Veyron to deliver the papers.
20. Many people think that graphic design is art. Art is undertaken for art-like reasons, graphic design for graphic design-like reasons. There may of course be overlap. There should never be confusion.
21. Making the (arts) information revolution consists not only in enabling the control of the means of computer art production by art workers, but also in being kind, non-gouging and relatively honest. Without the latter, one may doubt commitment to the former.
22. The best interactive art always makes you look at the participants.
23. There is only one thing worse than studying art for the budding computer artist, and that is to study computers. Or vice versa.
24. Art is not craft.
25. What would be pretentious or nonsensical if one said it oneself does not become more worthy when spoken by a computer-generated avatar.
26. Seen in the light of Guy Debord's "The Society of the Spectacle", computer art is very spectacular indeed.
27. Beware of computer art as farce repeating itself as history.
28. There is no "normal" computer art, in the Kuhnian sense. It is in constant revolution, hence constantly evading scrutiny.
29. When the first solitary Metro station was built in Paris, where could people travel to? They just admired the station.
30. Bugs are good; as with fireflies, the fertile ones shed light.
31. The Prix Pierre Gutzman, 100 000 Francs, was offered by the Institut de France in 1906 to the first person who could establish contact with extra-terrestrials; except with Martians, which would be too easy.
32. ‘All that is solid melts into air’ is not a celebration of virtuality, but Marx 'n' Engels' prediction for late capitalism.
33. A half developed Polaroid photo is different to half a digital photo. A half-finished pen-plotter drawing is different to a half-finished inkjet print.
34. When art processes happen near-instantaneously, doing art becomes synonymous with correction and selection, later with celebration; rarely with creativity.
35. Art is visual philosophy. But computer art is not visual computer philosophy.
36. Revolutionary modes of interaction between humans and normative structures do not a revolution make.
37. 'i', the imaginary square root of minus 1, is to the real numbers as the computer is — or should be — to art.
38. The purpose of the computer in art is to render it difficult and problematic, not easy.
39. We do not admire Picasso's Guernica or Goya's The Third of May 1808 solely because of the techniques used, yet we are often invited to admire computer art for just that reason. Art that is deliberately content-free is one thing. Art that is accidentally, lumpenly content-free is another.
40. Computer artist: the unemployable producing the unsaleable for the uninterested.
41. Of course computers and other devices will never fully understand flowing, allusive conversation. But they won't care.
42. Many of the ‘objects’ of computer art are instances, illustrations, of some less tangible, invisible process. But it may be that the waveform should remain uncollapsed, the artwork staying undecideable, problematic, unobjectified. Lucy R. Lippard described the ‘dematerialization of the art object’ nearly 40 years ago.







"A neighbor shared this book with me. I made several of the easy patterns and fell in love with it. We gave it as a Christmas present to several friends and relatives and they were delighted with it. The directions are easy to follow. This would be a great project book for kids for cheap mother's day presents. I loved it!"
"I am in the accommodation industry and found a couple of folds that are quick, easy and look good. I can do the folds quickly and it is something different for guests. Some of the other folds are quite elaborate and would be nice when you have more time. I am satisfied with the couple I am now using all the time."


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| Taedonggang Beer | ||
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| Pyongyang, June 25 (KCNA) -- The beers including black beer and rice beer made by the Taedonggang Beer Factory are these days popular with the Pyongyang citizens. Beer houses are crowed with working people who look pleased with their successes in the current 150-day campaign. It was Juche 91 (2002) that the just built Taedonggang Beer Factory began supplying beer to the citizens. The cold and soft Taedonggang beer rich in gas content immediately came into great favor among the customers by catering to their tastes. Its fermentation degree is 77.5 percent. The beer houses distributed rationally in residential quarters regularly serve beer carried to them directly from the factory. The refrigerator vans carrying beer have a traffic privilege on the streets of Pyongyang like cars carrying soybean milk to children. The citizens call Taedonggang beer "cold yet warm beer" as it is associated with the warm care of General Secretary Kim Jong Il for the people. |







| Poster Exhibition Opens | ||
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| Pyongyang, January 21 (KCNA) -- An exhibition of posters calling for intensifying the drive to implement the joint New Year editorial opened at the Pyongyang International Cultural Centre on Tuesday. On display there are more than 70 posters instilling confidence and courage into all the servicepersons and people in the general advance to implement the joint editorial. "Let all of us turn out in the drive for implementing the tasks laid down in the joint editorial!" and "Let us bring about a new great revolutionary upswing on all fronts in the same spirit as displayed by the workers of Kangson!" and other posters truthfully represent the revolutionary spirit of the Korean people waging the general offensive united closer around the party. Such posters as "Let us exalt the dignity and might of Songun Korea with the mental power of all the servicepersons and people!" and "World, look at the spirit of Songun Korea!" fully reflect the firm resolution and mettle of the servicepersons and people to surely open the gate of a great prosperous and powerful nation. Among them are posters "Let us bring about collective innovations!" and "For independence, democracy and reunification!" with diverse themes reflecting the contents of the joint editorial. Also displayed in the venue are at least 80 works created by artists of different art studios while experiencing the pulsating reality of the general advance in the new year." |

(An utterly irrelevant image of a wool ruler, the result of inputting "micron ruler" into Google images. The astute reader (V.) will notice that the ruler appears to contain 2 5/8 of the notes from a musical keyboard. More research needed here, I think.)
