Edweard Muybridge opened up (and simultaneously fragmented) movement. The noun becomes verb. Thomas Pynchon, in Gravity's Rainbow, differentiated the V2 rocket's parabola into steps - the obscenity of film pretending to be reality at 24 frames per second, or of diferentiation with respect to time: necessary to 'see' it, but blinding us at the same time. Radical re-integration might work, of course.
In the sequence noun ----> verb ----> what comes next?
And in the sequence static object ----> speed ----> acceleration?
And by some sort of (at the moment rather weak) metaphor, in the sequence
art ----> data ----> metadata?
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